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This is another one of those movies that played a limited one week theatrical/VOD before being quickly dumped on disc and cable TV; HEATSTROKE (2013) is a totally predictable thriller whose only saving graces are the South African scenery, animals and Peter Stormare’s performance. It’s a confusing tale about a new pastor , James Tupper, and his family arriving in a small Louisiana farm town and it’s apparent from the start that they have a target painted on their backs. When Fessenden does films independently his own way , WENDIGO ; THE LAST WINTER ,, they can be sublime slices of psychological horror, but within the TV confines, he is required to have something shocking happen every 15 minutes.
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In this portrayal (Jeffrey Dean Morgan embodies evil to a level I have not fat fruit casino login witnessed before), particularly in the scene where preacher/sheriff Douglas Henshall must select two individuals for execution, revealing Dean’s response when the choices fail to meet his expectations. Gavin Michael Booth, the director and screenwriter, who, similar to many contemporary filmmakers, initially gained recognition through short films, has indeed crafted a compelling screenplay for DEAD RUSH and has my hopes for funding another full-length horror production. Fights and chases ensue, executed particularly well without the prevalent quick-cut editing, as Uncle John, Cayden, and Angeline strive to prevent Connor from claiming more innocent lives. As soon as they arrive at the hotel room, Derek collapses into sleep for two days, and upon awakening, his hunger drives them to an Italian eatery, where he takes a mere bite before violently vomiting more than one would witness in a Monty Python sketch.
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The climax of the film encapsulates the entire narrative within its last 15 minutes, revealing Eric’s true love being shot in the head by Loggia during his marriage proposal, while Tim employs his new son as a diversion by tossing him into the air, prompting Loggia and his men to shoot, resulting in a gory explosion. This is typical DTV horror intended for fans of TWILIGHT (2008), albeit enhanced with R-Rated special effects. I never expected to experience such excruciating 82 minutes, and it’s hard to reconcile this film with the same director behind MS. 45 (1981), KING OF NEW YORK (1990), and BAD LIEUTENANT (1992). Although I can overlook Lundgren’s singular misstep — given that most of his DTV works are quite enjoyable, CREATURE (2010), despite featuring a solid cast, ultimately revolves around a man in a rubber monster suit dispatching six overzealous twenty-somethings (two siblings and an interracial couple) in a wild New Orleans escapade. He swiftly concludes that the rare fire beetle’s toxin contaminating the drinking water ignites internal flames in humans (causing them to burn from within when exposed to sunlight), but the identity of the perpetrator remains unclear. Upon discovering one of her cats deceased, Louise recalls seeing Spencer in that area the previous night, leading Victor to suspect him as the serial killer; however, anyone with a modicum of intelligence could identify the true killer within the film’s opening ten minutes.
Unfortunately, the film is a standard, „hunt and kill” jungle horror film, as the title characters (actually apes, not monkeys) hunt and bloodily kill six American grad students and their professor (F. Murray Abraham, in a new career low) in the jungles of Africa (actually filmed in Thailand). The film takes forever to get moving, nearly all the characters are unlikable, the gore doesn’t flow until the final 30 minutes (where we witness the bear hit a boob-jobbed princess so hard her torso hits a tree and her silicon implants fall out!) and the only „good” girl turns out to be the villain. After 90 minutes of being chased around the dark catacombs (everything is very hard to see) — it is revealed that it was all a prank initiated by her sister.
The moment the killer’s payer (Jake Busey) arrives at the diner with a briefcase of cash and misidentifies Madsen as the assassin, the gruesome excitement begins. Proceed with caution; despite its cheesiness — overly philosophical tone, and somewhat lengthy runtime of 124 minutes, BUNRAKU (2010) captivates me, compelling me to halt my channel surfing whenever it airs on my pay cable channels and watch until the very end. This film contains more than just a couple of genes from RACE WITH THE DEVIL (1975) (providing good), gruesome entertainment; UNTHINKABLE (2010) fittingly names a remarkable thriller. Instead of depending on gore and blood (this film emphasizes atmosphere), with the first dialogue emerging after 17 minutes, creating an oppressive sense of dread thick enough to require a substantial knife to slice through. It’s unfortunate (as this narrative), while borrowing concepts from various genres—especially the LONE WOLF AND CUB film series, whose first two installments were condensed for the excellent SHOGUN ASSASSIN—still manages to be entertaining and exceedingly violent, albeit with a hint of excessive CGI enhancement.